A scene from “Avatar: The Way of Water.”

The next couple of months are as busy as they get at theaters — and at the theater in your living room.

We’re being treated to everything from holiday fare to Academy Award hopefuls to a long-awaited trip to Pandora.

Here’s some of what’s coming from Thanksgiving week through early January, but, as always, release dates are subject to change:

“Devotion”: Two celebrated U.S. Navy pilots who served together during the Korean war, Jesse Brown (Jonathan Majors) and Tom Hudner (Glen Powell), get their story told in this drama.

“Nanny”: This offering from horror factory Blumhouse won the Grand Jury Prize at the Sundance Film Festival in January. Starring Anna Diop as a nanny starting a new life in New York City after growing up in Africa, the film also features Sinqua Walls, Michelle Monaghan and Morgan Spector in its cast.

“The Fabelmans”: Director Steven Spielberg’s semi-autobiographical coming-of-age drama seems poised to make waves in the coming awards season. Co-written by the acclaimed director and Tony Kushner, Spielberg’s collaborator on the excellent films “Munich” (2005), “Lincoln” (2012) and last year’s “West Side Story,” “The Fabelmans” stars Michelle Williams, Paul Dano and Gabriel LaBelle as 16-year-old aspiring filmmaker (and its pseudo-Spielberg) Sammy Fabelman.

“Strange World”: What would Thanksgiving weekend be without a big animated offering from Disney? This one — specifically from Walt Disney Animation Studios, its 61st feature — appears to be a “Journey to the Center of the Earth”-like adventure involving father-and-son explorers Jaeger and Search Clade (voiced by Dennis Quaid and Jake Gyllenhaal, respectively). Helmed by Don Hall — a co-director on Disney hits including “Big Hero 6” and “Raya and the Last Dragon” — the fun-looking romp also gets voice work from Gabrielle Union, Lucy Liu and Jaboukie Young-White — the latter as the youngest of the Clade males, 16-year-old Ethan.

“Emancipation”: Due to the behavior of its star, Will Smith, in March at the Academy Awards, Apple Studios reportedly gave serious consideration to delaying the release of this historical action drama from “Training Day” director Antoine Fuqua. However, the subsidiary of the tech giant is forging ahead with plans to put it in theaters on the second day of December and make it available a week later to Apple TV+ subscribers. Based on the story of a real slave, “Emancipation” sees Smith portray a Black man trying to make his way to the North from Louisiana in the 1860s.

“Empire of Light”: The latest film from Sam Mendes (“American Beauty,” “Skyfall”) is a tale of romance and race, as well as a love letter to movies and theaters, set in the 1980s. Coliva Colman and Michael Ward portray coworkers at an English coastal cinema who, despite being from vastly different backgrounds, make a connection.

“Spoiler Alert”: Jim Parsons (“The Big Bang Theory”) portrays entertainment journalist Michael Ausiello, while Ben Aldridge portrays the man with whom he falls in love in this adaptation of Ausiello’s memoir, “Spoiler Alert: The Hero Dies.” Based on his work behind the camera on the acclaimed 2017 film “The Big Sick,” director Michael Showalter would seem to have the right touch for this delicate tale. Interestingly, the screenplay is co-written by Dan Savage, author of the syndicated Strange Love column.

“Avatar: The Way of Water”: We’re finally getting the first of four — FOUR! — planned sequels from director James Cameron to his 2009 science-fiction epic, “Avatar,” which, in taking us to the planet Pandora and introducing us to the Na’vi race, blended live-action and motion-capture performance and leaned heavily on folks’ willingness to wear 3D glasses to get all the bang from the computer-generated dazzle. (When was the last time you did that?) This film — featuring returning cast members Sam Worthington, Zoe Saldana and Sigourney Weaver — reportedly costs a whopping $250 million, and it’s said that its box-office performance will go a long way to determining whether we actually get a film series stretching all the way into 2028.

“Puss in Boots: The Last Wish”: “Puss in Boots,” a 2011 spinoff of the “Shrek” franchise about a cat voiced by Antonio Banderas and sporting distinctive footwear, finally gets a sequel. Also providing voice work are Olivia Colman, John Mulaney, Florence Pugh and the returning Salma Hayek. Joel Crawford (“The Croods: A New Age”) directs.

“The Whale”: Brendan Fraser has been earning kudos for his lead performance as a 600-pound man trying to reconnect with his daughter in the latest film by director Darren Aronofsky (“Requiem for a Dream,” “Mother!”). Based on the 2012 play of the same name by Samuel D. Hunter, the psychological drama is also penned by Hunter.

“Babylon”: Gifted writer-director Damien Chazelle (“Whiplash,” “La La Land”) looks to bounce back from 2018’s underwhelming Neal Armstrong movie “First Man” with this “tale of outsized ambition and outrageous excess” set in 1920s Los Angeles. The ensemble looks to sizzle with Brad Pitt, Margot Robbie, Jean Smart, Tobey Maguire, Samara Weaving and many other recognizable names, with Mexican actor Diego Calva also in a key role.

“The Son”: In 2020, writer-director Florian Zeller gave us the excellent drama “The Father,” based on his own play and co-written by Christopher Hampton. Now comes another film based on a play in the same trilogy of works, also co-penned by Hampton. And while, like “The Father,” “The Son” features Anthony Hopkins, the Academy Award winner would seem to have a smaller role this time. The new film centers around a character played by Hugh Jackman, a man with an infant and new partner (Vanessa Kirby). HIs reinvented life is upended when his ex-wife (Laura Dern) appears to tell him their son (Zen McGrath) has been missing school and is deeply troubled.

“I Wanna Dance With Somebody”: Naomi Ackie (“Star Wars: The Rise of Skywalker”) stars as the late pop singer Whitney Houston in this biographical drama. Kasi Lemmons (“Eve’s Bayou,” “Harriet”) directs from a screenplay by Anthony McCarten (“Darkest Hour,” “Bohemian Rhapsody”). A producer on the film, Houston’s record producer Clive Davis is being portrayed by Stanley Tucci.

“M3GAN”: Some movies strive to offer a thought-provoking take on the possibilities of artificial intelligence offering more harm than good … but we’re getting more of a “Child’s Play” vibe from this tale of a doll-like android designed to be a wonderful companion to a child (Violet McGraw). Produced by horror vet James Wan (“Saw,” “Insidious”), the movie also features Allison Williams (“Get Out”).

“The Pale Blue Eye”: Scott Cooper already has directed Christian Bale in “Out of the Furnace” (2013) and “Hostiles” (2017), and he’s at the helm for this drama in which Bale portrays a detective hired to solve a murder of a cadet at West Point in 1830. Bale’s character enlists the help of another cadet, a young Edgar Allan Poe (Harry Melling), to assist him in this adaptation of Louis Bayard’s 2003 novel.

“House Party”: Filmmaker Calmatic, maker of the “Old Town Road” music video, is at the helm for this remake of the 1990 comedy. This LeBron James-produced version stars Tosin Cole and Jacob Latimore.

“A Man Called Otto”: Tom Hanks puts on his grumpy pants to play the titular character in this adaptation of Swedish author Fredrik Packman’s 2012 novel. Otto has suffered loss, but his life begins to take a turn after a family moves in next door. The comedy-drama is getting a limited release on Christmas Day but goes wide early in 2023.

“Missing”: A follow-up to 2018’s “Searching,” “Missing” is another screenlife thriller, this one telling a new story and starring Storm Reid.